2009 Oculus Editorial Calendar
If you are an architect by training or see yourself as an astute observer of New York’s architectural and planning scene, note that OCULUS editors want to hear from you! Projects/topics may be anywhere, but architects must be New York-based. The themes:

Winter Issue: Health & Architecture. Architecture designed to promote fitness, health, and wellness will be profiled. Projects selected from within this growing field will demonstrate sensitivity to generational and demographic issues, sustainability, and technology.
08.01.09: Suggestion Deadline

If you have suggestions, please contact OCULUS editor-in-chief Kristen Richards.

08.14.09 Call for Ideas: New Urbanism: Rx for Healthy Places

09.03.09 Call for Submissions: Show How You Regreen: Green Housing Awards Program

10.05.09 Call for Entries: Mockett Annual Furniture Design Competition

Belly of the Beast is Cool Relief from Summer Heat

MOS_2852

P.S. 1.

Jessica Sheridan

There is no denying that a woolly mammoth appears to have landed in the P.S. 1 courtyard — especially with “Ice Age 3” topping box offices. This year’s Young Architects Program celebrates its 10th anniversary with afterparty, designed by New Haven- and Cambridge-based MOS. The installation is comprised of a series of “hut-like chimneys” covered on one side with a layer of “furry” palm-fiber thatching intended to reference Bedouin tents, according to the P.S. 1 press release.

While the structure from the outside appears hot in the midday sun, the chimneys provide passive cooling by siphoning air and creating a light breeze inside. This is the most successful attempt of the YAP projects that I’ve experienced to produce refreshing relief from the summer heat. The thatching also creates a sound barrier, something that is most important during the jam-packed Saturday Warm Up parties that feature DJs and live music.

The best part of the installation, in my opinion, is the small side room in the courtyard that is enclosed by concrete walls with one of the chimneys forming the ceiling. The coolest, shadiest part of the project, the oculus atop the conic shape focuses visitors’ attention to the sky and shadows cast by the sun. Fans of James Turrell will see the connection to Meeting, a “skyspace” on the roof of P.S. 1 where visitors can view the sky through an opening in the installation’s ceiling.

Unfortunately, there is no water feature this year. Perhaps with the torrential downpours we experienced in June there is no need, but for me it is always an exciting aspect of the YAP installations. That, along with the poor quality of the benches (I wonder if the soft construction will survive the summer), are my only criticisms. Overall, I highly recommend taking a trip to P.S. 1, both during Warm Up and the summer’s quieter times.

In this issue:
· Live/Work Townhouse Designed for Artists
· Tommy Hilfiger Global Flagship Parks at Fifth Avenue
· Mediameshing Times Square
· Harvard Divinity School
· Light, Sculpture Featured at Hyatt Regency Montreal
· Steven Holl Architects HEARTs Herning


Live/Work Townhouse Designed for Artists

MORR-Residence-2

Residence for two visual artists.

Nicole Migeon Architect

Nicole Migeon Architects has converted a multi-family residential building into a single-family live and work space for two visual artists in the East Village. The 2,000-square-foot, four-story building features flexible spaces and an open staircase that incorporates rows of wide, operable windows giving the space access to air and sunlight. A private painting studio with climate-controlled storage on the first floor, and a film studio on the second floor cater to the users’ crafts. The top floor is a new addition containing the master bedroom and a terrace. Adjacent to a community garden, the firm integrated the building with the landscape by creating a green roof with slate stepping stones. The skylight above the master bed allows for views of the roof’s vine-covered patterned steel trellis as well as of the Empire State Building beyond.


Tommy Hilfiger Global Flagship Parks at Fifth Avenue

Callison-Facade

Tommy Hilfiger global flagship store.

Callison

This September, the Tommy Hilfiger Group will open its global flagship store in the Fifth Avenue shopping district (between East 53rd and 54th Streets). Designed by the company’s creative team in collaboration with Callison Architects, the four-story, 22,000-square-foot store will be the largest Tommy Hilfiger retail store in the world and carry all of the brand’s product lines. The façade will be restored to its original Indiana limestone, while the interior will feature a modern centralized staircase that doubles as a viewing platform for revolving art installations. Each floor will have its own personality. The first floor, offering men’s sportswear, will be reminiscent of a men’s club; Hilfiger Denim will feature a bar-inspired wrap desk with a lounge area; women’s sportswear will be characterized by the company’s trademark 1960s Venini chandeliers and a Brazilian cherry herringbone floor; the runway collection will have glass doors that open onto a balcony overlooking Fifth Avenue.


Mediameshing Times Square

MediaMesh

LEDs that comprise Mediamesh.

Hoffman Architects.

The Crowne Plaza Hotel Times Square now sports a 30-foot-wide by 36-foot-high Mediamesh® façade, designed by Gensler with Hoffman Architects as the structural engineer. Mediamesh® , designed by Cologne-based ag4/GKD, is a stainless steel mesh fabric with interwoven LEDs and connected media controls. The LEDs render images onto the façade, providing the ability to display a wide spectrum of graphics, animated text, and video. When the screen is off, the glass curtain wall entry is visible, and when illuminated, guests inside the lobby can view Times Square through the back side of the mesh.


Kliment Halsband Plans for Ivy Leagues

HarvardDivinity

Harvard Divinity School Andover Hall.

Kliment Halsband Architects

Harvard Divinity School has selected Kliment Halsband Architects to develop a comprehensive master plan for its campus. The study will provide a long-range framework for current and future facility needs, with the goal of creating a distinct community and campus identity for the school. Also nearing completion are numerous planning studies at Yale University that encompass expansion strategies for several academic departments. The firm has also begun work on an area study within the Jewelry District in Providence, Rhode Island, where Brown University has plans to expand its urban campus and develop a shared vision of the revitalization for the entire area.


Light, Sculpture Featured at Hyatt Regency Montreal

TVD-HyattMontrealBallroom

Hyatt Regency Montreal.

Therese Virserius Design

NYC-based hospitality firm Therese Virserius Design recently unveiled its design for the first phase of the renovation of two ballrooms and pre-function areas for the Hyatt Regency Montreal. The pre-function area for the main ballroom will be transformed into an art gallery featuring an interactive wall with “fireflies” that congregate into pre-programmed shapes before dispersing again. Featured on the opposite wall are metallic gold interiors with egg-shaped sculptures and inset niches. The ballroom features sculptured silver disks that resemble water ripples. Instead of traditional chandeliers, designers employed clusters of peanut-shaped, indigo pendants. Additional elements include black lacquered beams and a wall that can change hues based on the event. This project is the first to include the firm’s new exclusive line of furniture — Therese Virserius Design by AOM. This phase of the renovation is expected to be completed in Fall 2009.


Steven Holl Architects HEARTs Herning

SHA-HEART

Herning Museum of Contemporary Art.

©Steen Gyldendal

The HEART Herning Museum of Contemporary Art, designed by Steven Holl Architects, is scheduled to open on September 9. The new center combineds both visual arts and music, uniting three distinct cultural institutions — the Herning Center of the Arts, the MidWest Ensemble, and the Socle du Monde. A fusion of landscape and architecture, grass mounds and reflecting pools align with curved roof sections in a new building that houses permanent and temporary exhibition galleries, a 150-seat auditorium, music rehearsal rooms, a restaurant, a media library, and administrative offices. Herning’s longstanding relationship with the textile industry, as well as the museum’s large collection of original works by Piero Manzoni, inspired the building’s design concept. The museum is sited near Herning’s original Angli shirt factory, and the shirt collar-shaped plan of the 1960s building influenced the shape of the new museum building. Viewed from above, HEART’s roof geometry resembles a collection of shirt sleeves laid over the gallery spaces. The galleries are orthogonal in plan, while overhead curved roof sections bring natural light into the spaces.

Mini Golf in Bushwick

PuttingLot

A vacant lot transformed for mini-golf.

Courtesy THE PUTTING LOT

THE PUTTING LOT is a nine-hole miniature golf course designed by artists and architects around themes of urban sustainability. Located in a previously vacant lot in Bushwick, Brooklyn, the lot includes the course, a snack-shack serving local products, a public seating area, an event space, and a place for displaying print material.

After an open call for submissions, THE PUTTING LOT selected nine designs. Artists constructed their designs using a small material stipend. The use of reclaimed materials was encouraged; artists have incorporated materials including wooden shipping pallets from a local factory, trash-bound sails for awnings, and reclaimed wood from Build it Green for furniture.

The Lot is open through 09.06.09; admission is $5 for adults and $3 for children. For more info, click the link.

The 2009 SARA Design Awards winners include, in the following categories: Medallion of Honor, Friends of the High Line; Visionary Architecture Award, The Cooper Union Academic Building (Morphosis); and Project of the Year, One Bryant Park (Cook + Fox and Gensler). Awards of Excellence were given in the following categories: Housing — 40 Bond Street (Herzog & de Meuron, Design Architect & Handel Architects, Architect-of-Record); Commercial — The Standard, New York (Polshek Partnership Architects); Interior Design — St. Hilda’s & St. Hugh’s School Science Department Renovation and Addition (Murphy, Burnham & Buttrick), and Enterprise Community Partners (Stephen Yablon Architect); Educational — Syracuse University S.I. Newhouse III School of Public Communications (Polshek Partnership Architects); Rehabilitation/Remodeling — Apartment & Garden (A+I Architecture) and Yale University Art Gallery Kahn Building Renovation (Polshek Partnership Architects); The Arts — Birdhaus (The Office of Carol JW Kurth, AIA Architect); Student — Brooklyn Waterfront Museum by Yeinny Daza…

SARA Awards of Honor were given in the following categories: Housing — The Satori (Scarano Architects); Educational/Institutional — Weill/Cornell Medical College Weill Greenberg Center (Polshek Partnership Architects); Interior Design — Toku (Bentel & Bentel Architects), North Sea Pool House and Central Park West Residence (Shelton, Mindel & Associates) and NY Mets Exec/Admin Offices (Mancini Duffy); Rehabilitation/Remodeling — Spector Group LI Offices (Spector Group) and Artist’s Studio (Vaidya Stoltz Architects)…

The NYC Public Design Commission (formerly the NYC Art Commission) announced the winners of its Annual Awards for Excellence in Design including: Bronx River Greenway by the New York State Department of Transportation and WSP Sells; EMS Station 3 by Smith-Miller + Hawkinson Architects; Croton Water Treatment Plant by Grimshaw; Brooklyn Botanical Garden Visitor Center by Weiss/Manfredi; Bushwick Inlet Park District Headquarters and Community Facility by Kiss + Cathcart; Inside Out by Richard Artschwager with 1100: Architect; The Opposite of a Duck by Janet Zweig with Marble Fairbanks Architects; Shapes by Allan McCollum with Marpillero Pollak Architects; Mariners Harbor Branch of the New York Public Library by Atelier Pagnamenta Torriani; and a Special Recognition Award for the Staten Island Court Complex by Polshek Partnership Architects…

The recipients of the Rockefeller Foundation 2009 Jane Jacobs Medal are Richard Kahan, founder and CEO of the Urban Assembly, and Damaris Reyes, executive director of Good Old Lower East Side (GOLES)… Ted Moudis, AIA, was honored with the Architecture & Design Award at The Mann Foundation’s Fourth Annual Mann of the Year Awards…

The New York Area Chapter of the Society for Marketing Professional Services (SMPS-NY) has elected Patricia Neumann, CPSM, president; Michelle Galindez-Russo, LEED AP, vice president/president-elect; Michael McCann, CPSM, treasurer; Julie Pampuch, secretary…

Caroline Baumann has been named acting director of the Smithsonian’s Cooper-Hewitt, National Design Museum… Jerome Chou is the new Director of Programs at The Design Trust for Public Space…

06.25.09: A Space Within: The National September 11 Memorial & Museum exhibition opening at the Center for Architecture. Six hundred visitors attended the exhibition’s first night. The show was curated by Thomas Mellins and designed by Incorporated Architecture & Design.

1029IMG_1993

Michael Arad, AIA, (right) partner at Handel Architects and the designer of the memorial, spoke with John Whitehead, founding chairman of the Lower Manhattan Development Corporation.

Sam Lahoz

k_911show_PaulsenMellins_21

AIANY President Sherida Paulsen, FAIA, with Curator Thomas Mellins.

Kristen Richards

06.27.09: openhousenewyork and The Architect’s Newspaper sponsored a Saturday afternoon “salon” to celebrate John M. Johansen’s, FAIA, 93rd birthday at the architect’s most unusual 1975 summer house — a multi-level, translucent fiberglass pyramid in Dutchess County.

k_JohansenHouse_combo

Kristen Richards

06.10.09: The Association of Real Estate Women (AREW), Twenty9th Park Madison condominium, and fashion designer Jes Wade hosted a Fashion Charity Event that included penthouse and rooftop tours, a silent auction, and a showing of Wade’s newest couture line inspired by draping fabric. All proceeds went to the AREW Charitable Fund to benefit Women In Need (WIN). WIN provides housing, help, and hope to NYC women and their families who are homeless and disadvantaged.

WIN-48

(L-R):Rebecca Mason (AREW President), Andres Hogg (Espais), Jes Wade, Madelyne Kerch (Sun & Moon Marketing & AREW charitable fund co-chair), Stephanie Butler (Horizon Land Services & AREW charitable fund co-chair).

Howard Wechsler

WIN-90

(L-R): Lucy Carter, Assoc. AIA (Ted Moudis Associates), Debra Cole (Perkins + Will), Guest, Jennifer Carey (JLC Environmental Consultants), Rebecca Mason (AREW President), and Guest.

Howard Wechsler

06.17.09: The Frank Lloyd Wright Foundation benefit dinner was held at the Guggenheim Museum, raising more than $500,000 for the Foundation’s School of Architecture, Archives, and K-12 educational programs.

FLW_Benefit

Howard Weiner (left) and Paul Goldberger.

Courtesy Great Ink Communications

06.18.09: Deutsche Bank erected a seven-story Carbon Clock outside Madison Square Garden that calculates the tons of carbon dioxide being emitted into the atmosphere.

CarbonClock

REUTERS/Eric Thayer

2009 Oculus Editorial Calendar
If you are an architect by training or see yourself as an astute observer of New York’s architectural and planning scene, note that OCULUS editors want to hear from you! Projects/topics may be anywhere, but architects must be New York-based. The themes:

Winter Issue: Health & Architecture
Architecture designed to promote fitness, health, and wellness will be profiled. Projects selected from within this growing field will demonstrate sensitivity to generational and demographic issues, sustainability, and technology.
08.01.09: Suggestion Deadline

If you have suggestions, please contact OCULUS editor-in-chief Kristen Richards.

07.15.09 Call for Entries: IDP Outstanding Firm Awards

07.27.09 Call for Entries: AIA Design for Aging Review

08.31.09 Call for Entries: Newark Visitors Center Design Competition

11.13.09 Request for Proposals: 2010 Sustainable Design Assessment Team Program (.pdf)

High Line Offers New Slant on City Views

Event: High Line Section 1 Media Preview
Location: The High Line, 06.08.09
Organizer: Friends of the High Line

Scenes along the High Line.

Bill Millard

Most park designers wouldn’t deliberately direct views to the flow of nearby city traffic. But an amphitheater peering down onto 10th Avenue is just one of many ways the recently opened High Line offers fresh views of familiar West Side cityscapes.

With the surface of the public park some 30 feet above street level, “you see the city from perspectives you normally would never have access to,” remarked James Corner, principal of landscape architecture firm Field Operations, which led the design of the new park on a former elevated railway. The High Line’s sense of calm and seclusion seems to suit its role as a “slow park,” one designed for leisurely strolls.

More than 60,000 people visited the park in the first week alone. As a group of journalists wandered the nine-block stretch of Section 1 (Section 2 opens next year), we encountered a succession of areas with distinct characters, united by a common design vocabulary of long, thin concrete planks and simple, linear furnishings. The planks rear up to merge with wood benches, a flourish that seems sleek but not slick.

On the southern end at Gansevoort and Washington Streets, the journey begins in a woodland; further north, visitors pass through grasslands and elements such a sundeck — complete with oversized deck chairs and a shallow water feature good for cooling one’s toes — and the amphitheater, where people can look down upon the bustling avenue, as if the street life were a form of dramatic spectacle. One visitor was reminded of the highly focused view offered by the Mediatheque at Boston’s Institute of Contemporary Art, designed by Diller Scofidio + Renfro, the High Line’s architects.

The High Line has spurred a much-publicized wave of development in the area, and walking along Section 1 reveals a parade of construction cranes and recent creations by Frank Gehry, FAIA, Jean Nouvel, Della Valle Bernheimer, and others. (Polshek Partnership’s Standard Hotel is unmissable, straddling the park like a giant robot.) To the west are sweeping views of the Hudson River, and a Spencer Finch art installation in one tunnel celebrates the river’s ever-shifting hues.

The new design is geared to “set up really great and unusual situations where you can view the city,” Corner said. In deference to those views, the designers chose an understated aesthetic for the park itself. However, their contemporary take on the historical structure offers subtle visual pleasures of its own. Where the planks and plantings meet, they blend together in a comb-like pattern; vegetation sprouts up between thin concrete lines. The notion of a hybrid “agri-tecture” was inspired by the once-wild state of the vegetation there, when the High Line became a postindustrial ruin after trains stopped running in 1980. For now, the northern area near 20th Street, where the plantings went in earliest, best demonstrates the untamed effect. Benches and a water fountain echo the linear forms of the planks and the rail lines themselves, most of which have been retained and restored.

The designers and engineers faced their share of challenges along the way. With shallow soil, wind, and extremes of temperature, “that’s an extremely difficult environment to get plants to grow,” Corner said. Many of the 210 plant species had to be chosen for their hardiness and their ability to survive at their specific location within the park. As for the hardscape, the different rates of thermal expansion and contraction of the concrete planks and of the steel structure underneath led to fears that the planks would soon shift out of place, so engineers at Buro Happold devised a special system of expansion joints for the planks that could accommodate the movement of both materials, said Herbert Browne, Buro Happold senior project manager.

Ultimately, the park serves as a testament to the way that — with some ingenuity and imagination — old infrastructure can be put to new uses. “The big story about the High Line is the sort of economic revitalization that it has brought to the West Side, and other cities can learn from that,” Corner said. “The High Line, I think, opens the door for a little bit more experimentation with what public spaces could be.”

Future of Cities: Automobile to Just Mobile

Event: Meeting of the Minds 2009
Location: One Chase Manhattan Plaza, 06.02-03.09
Speakers: Jozias van Aarsten: — Mayor, The Hague, Netherlands; Jeb Brugmann — Founder, ICLEI & Faculty, University of Cambridge Programme for Sustainability Leadership; Robert Buckley — Managing Director, Rockefeller Foundation; Paul Camuti — President/CEO, Siemens Corporate Research; Tom Cochran — Executive Director, U.S. Conference of Mayors; Ron Dembo — Founder/Chairman, ZeroFootprint (Toronto); Hella Dunger-Löper — Permanent Sect. for Building and Housing, Berlin Senate Dept. for Urban Development; Gordon Feller — CEO, Urban Age Institute; Earl E. Gales, Jr. — Chairman/CEO, Jenkins, Gales & Martinez; Prof. Mario Gandelsonas, FAIA — Director, Center for Architecture, Urbanism + Infrastructure, Princeton; Jack Hidary — Chairman, SmartTransportation.org & Co-founder, Vista Research & EarthWeb/Dice & Freedom Prize Foundation & Chairman, Hidary Foundation; A. Eugene Kohn, FAIA — Founding Partner + Chairman, Kohn Pedersen Fox Associates; Len J. Lauer — EVP and COO, Qualcomm; Rick Lazio — Managing Director, JP Morgan Asset Management, Global Real Assets; Robert Lieber — Deputy Mayor for Economic Development, NYC; Irv Miller — Group VP for Environment + Public Affairs, Toyota Motor Sales, USA; Paul Pelosi — President, City of San Francisco Commission on the Environment; Neal Peirce — Citistates & Columnist, Washington Post Group; Bill Reinert — National Manager, Advanced Technology Group — Toyota Motor Sales, USA; Janette Sadik-Khan — Commissioner, NYC Department of Transportation; Saskia Sassen — Robert S. Lynd Prof. of Sociology, Dept. of Sociology and Committee on Global Thought, Columbia University; Aurora Tambunan — Deputy Governor, Jakarta, Indonesia; Victor Vergara — Urban and Local Government World Bank Institute; Alexandros Washburn, AIA — Chief Urban Designer, NYC Dept. of Planning; Tom Wright — Executive Director, Regional Plan Association; Robert Yaro — President, Regional Plan Association; Nicholas You — Sen. Advisor, UN-HABITAT; Susan Zielinski — Director, Sustainable Mobility and Accessibility Research and Transformation (SMART), University of Michigan, Ann Arbor; Bernard Zyscovich, AIA — Founder, Zyscovich Architects, Miami
Organizers: Urban Age Institute, San Francisco
Sponsors: Toyota (presenting sponsor); JPMorganChase & Co. (host); Siemens; Zipcar; Regional Plan Association; World Bank; United Nations; Cities Development Initiative of Asia; Urban Land Institute; Metropolis

The tone at futurist conferences has changed, in part because of last year’s elections and financial crash, but perhaps also because of a shift in interpretive frameworks on the part of people in a position to translate them into action. It’s less about cries of alarm nowadays, more about intersector partnerships and pragmatic incentives for progress. The background level of disturbing scientific, demographic, and economic information remains constant; even the most optimistic promoters of technological approaches to city design and resource use regularly face questions about whether any imaginable response can affect climate change and entrenched poverty. But Meeting of the Minds 2009 indicated a broad agreement that cities — particularly medium-size cities of 500,000 to 1 million residents, projected to host even more of the world’s growth than megacities — are both the site of the most critical problems and the key to workable solutions.

As organizer Gordon Feller suggested at one point, a collision between “citizen engagement” and “legacy institutions” is imminent. Among the different kinds of organizations trying to adapt to these conditions, the ones represented here agreed that none can accomplish much alone. As inventors, entrepreneurs, and corporate officials look to disruptive technologies for quick fixes, they also acknowledge planners’ and civic officials’ point that new gadgets alone won’t improve cities’ performance without corresponding social engineering. Conversely, public-sector representatives and academics recognize that green-tech solutions need economic viability: products that jaded consumers will accept, infrastructure that strapped cities can afford. Keynoter Tom Cochran, one of several panelists who agree with Saskia Sassen that “national governments can talk, talk, talk, but municipal governments have to act,” highlighted innovations at the city and regional levels while pinpointing the states (unfortunately positioned “between reality and money”) as the dinosaurs that nimbler agents need to maneuver around.

Existing and imaginable technologies are replacing speculation with concrete planning, stressing information over mobility and “multiscalar systems of enormous complexity,” as Sassen described cities, over familiar spatial forms. If Mario Gandelsonas, FAIA, is right that today’s teenagers fetishize cell phones more than cars, preferring being driven over driving, then this “culture of immediacy” is changing more than a decades-old symbol of adolescent freedom: it represents the sort of behavioral shift that reconfigures cities, provided public and private actors can jointly figure out what this new public space might look like. Large adopters of technologies (such as mobile networks or governments) tend to wait for a leader to move, as Qualcomm’s Len Lauer observed, but “once a large operator agrees to adopt a technology, suddenly the other operators become paranoid” and rush in to avoid being left behind. This pattern means that a future cityscape formed by the combination of a smart power grid and widespread wireless systems will probably emerge in fits and starts.

Gathering the day after General Motors filed for bankruptcy, this audience expressed an acute awareness that old paradigms are collapsing, particularly in the realms of transport and urban greening (where PlaNYC, represented here by Alexandros Washburn, AIA, and Janette Sadik-Kahn, is becoming an exemplary recurrent case study). Toyota spokesman Irv Miller was willing to broaden his firm’s future definition as a “mobility company,” not just a car company, not only able to make its Prius hybrid a charismatic brand but to coexist with alternative systems such as auto-sharing. Zipcar’s Scott Griffith articulated a model whereby people view transportation as a variable cost, not a fixed or sunk cost, and thus behave smarter and greener. Earl Gales’s Personal Rapid Transit, a maglev-based railcar system moving each car on less power than the average incandescent bulb uses, would add a bit of Jetsons-style aerial infrastructure to any neighborhood, but it’s not just fanciful; Gales, recalling the much-lamented Los Angeles Red Cars of his boyhood, has collaborated with former NASA engineers at Ames Research Laboratory to create a feasible prototype.

Other improvements require little or no new technology at all: Ron Dembo proposes massive-scale urban re-cladding to improve buildings’ 40% contribution to national greenhouse-gas emissions, and Susan Zielinski’s “open-source transportation” network rearranges multiple services into “mobility hubs” that ease mode shifts and vehicle shares.

Surfing these unpredictable waters calls for both realism and imagination. But does anyone in America’s hardest-hit city have the vision to rebuild GM as General Mobility?

Wright-ing a New History for Women in Architecture

Event: The Architecture of Writing: Wright, Women & Narrative, film premiere and discussion
Location: Solomon R. Guggenheim Museum, 06.10.09
Speakers: Wanda Bubriski — Director, The Beverly Willis Architecture Foundation; Lois Davidson Gottlieb, FAIA — Taliesin Fellow 1947-1948; Beverly Willis, FAIA — President, The Beverly Willis Architecture Foundation; Carol Gilligan — Psychologist & Author, New York University; Gwendolyn Wright — Historian & Author
Moderator: Suzannah Lessard — Author
Organizers: The Beverly Willis Architecture Foundation; Sackler Center for Arts Education

Courtesy www.bwaf.org

Urban myths and a number of literary works about Frank Lloyd Wright are often laced with tales of egoism, philandering, and an unbridled predilection for attention. A new film produced by The Beverly Willis Architecture Foundation (BWAF) entitled, “A Girl is A Fellow Here” — 100 Women Architects in the Studio of Frank Lloyd Wright,” may edit Wright’s story and radically change the view of women’s history in architecture. An interdisciplinary conversation about the untold legacy of 20th-century female architects followed a premiere screening of the film directed by Beverly Willis, a legacy in her own right.

The short film unearths the experience of more than 100 female fellows at Taliesin with a focus on six individuals who have carved a place for themselves in the legacy of women in architecture. Marion Mahoney, Isabel Roberts, Jane Duncombe, Eleanore Pettersen, Read Weber, and Lois Davidson Gottlieb all spent years studying and working under Wright at Taliesin, a place which, according to Gottlieb, “changed my life completely.”

The film’s inception lies in the discovery by Willis that Roberts, for decades documented as a Taliesin bookkeeper, was in fact an architect highly recommended by Wright to the AIA. This silent truth, glossed over in history, is one of many edited facts that comprise Wright’s unknown legacy and the record of women architects.

The film’s narrative, with first-person interviews, a scholarly investigation of the six women, and personal insight into life at Taliesin, unearths the equality with which Wright ran his studio. Founded in 1932, the Taliesin Fellowship required participants to not only work in the studio, but also fostered a communal living of crop raising, cooking, cleaning, house repairs, and manual labor. However, Wright did not assign these chores based on traditional gender roles. In fact, men did most of the domestic duties while the women fellows were out in the cornfields or making building repairs. Willis’s film subjects sing a chorus of praise to Wright as an inspiring, impartial, approachable, and provoking mentor. Gottlieb remembers him as a doer, not as a teacher. “I learned I could do almost anything.”

The confidence and passion with which Wright equipped his female fellows produced a roster of women who impacted his work and the tale of 20th-century architecture. Mahoney became the second female to graduate from MIT and one of the first licensed women architects in the world; Pettersen was the first female architect in New Jersey and also the first woman to open her own practice in the state; Gottlieb and Duncombe established a firm of their own years after Taliesin.

Wright welcomed the women to his studio, providing each with opportunities for professional and personal growth that society was not prepared to offer. So why haven’t we heard about these women in architectural history, nor about this side of Wright’s character? It is because of the innate exclusivity of writing and the disparity between the actual and edited truths, according to panelists after the film. Carol Gilligan, after recently publishing Kyra — a fictional work with a female architect as the protagonist — admits that she wasn’t aware that it was a novel endeavor to cast such a character and reflects that in her research there was a discernible lack of humanity and family life in the biographies of architects. Panelists agreed that the premise of the autonomous genius as a requisite for a successful design career perpetuates a limited view of both male and female architects, and does a disservice to the social and communal nature of the profession.