Suprematism Revisited

Suprematism, an art movement of the early 20th century conceptualized by Kazimir Malevich, still rankles many skeptics of modern art. But the key to appreciating these pieces is that they are theory manifested; they are born of a way of seeing that is inextricable from a social philosophy. In the case of Malevich, the famous “Black Square” rejected materialism, instead embracing a “pure feeling.” For him, the making of art was a spiritual experience, and that feeling couldn’t be contained for the cursory glances of the casual observer. Continue reading “Suprematism Revisited”