03.19.08: AIANY held a New Fellows reception at the Center for Architecture to celebrate the 17 Chapter members who advanced to Fellowship this year.

AIANY 2008 Fellows

AIANY 2008 Fellows: (Top Row) Diana Agrest, FAIA, Agrest & Gandelsonas Architects; Stephen Apking, FAIA, Skidmore, Owings & Merrill; Ian Bader, FAIA, Pei Cobb Freed & Partners; Deborah Berke, FAIA, Deborah Berke & Partners Architects; Louise Braverman, FAIA, Louise Braverman Architect; Hillary Brown, FAIA, New Civic Works; (Middle Row) David Burney, FAIA, NYC Department of Design and Construction; Gerard Geier II, FAIA, FXFOWLE Architects; Nathan Hoyt, FAIA, Davis Brody Bond Aedas; Sudhir Jambhekar, FAIA, FXFOWLE Architects; David Leventhal, FAIA, Kohn Pedersen Fox Associates; (Bottom Row) Pamela Loeffelman, FAIA, Perkins Eastman; Paul Pippin, FAIA, Skidmore, Owings & Merrill; Robert Rogers, FAIA, Rogers Marvel Architects; Richard Southwick, FAIA, Beyer Blinder Belle Architects & Planners; William Stein, FAIA, Dattner Architects; Bernard Tschumi, FAIA, Bernard Tschumi Architects.

Courtesy AIANY

Apking, Geier

(left) Stephen Apking, FAIA, and (right) Guy Geier, FAIA.

Sam Lahoz

Brown, Braverman

(left) Hillary Brown, FAIA, and (right) Louise Braverman, FAIA.

Kristen Richards

Burney

David Burney, FAIA.

Sam Lahoz

Loeffelman, Suckle, Bader

(l-r): Pamela Loeffelman, FAIA, Abby Suckle, FAIA, LEED AP, AIANY Secretary, and Ian Bader, FAIA.

Sam Lahoz

Hoyt

Nathan Hoyt, FAIA.

Sam Lahoz

Chusid, Alicea

03.19.08: (l-r) Megan Chusid, Assoc. AIA, AIANY Emerging NY Architects committee co-chair, and Vanesa Alicea, Assoc. AIA, AIANY Associate Director, at the New Members’ Reception.

Sam Lahoz

HUE

03.27.08: At the 2008 Benjamin Moore HUE Awards celebration, where STUDIOS Architecture received the Contract Interiors Award; (l-r): Tom Krizmanic, AIA, Principal, NYC; Sandra Mitchell and Christopher Mitchell, AIA, Principal, Los Angeles; and Brian Tolman, AIA, Principal, NYC.

Kristen Richards

Wendy Osserman

NY- and NJ-based Ken Laser Architect designed the set for the Wendy Osserman Dance Company with Iva Bittová recent performance “Out Of Place,” at the Hudson Guild Theatre 03.26-30.08.

Ken Laser, RA

Oculus 2008 Editorial Calendar
If you are an architect by training or see yourself as an astute observer of New York’s architectural and planning scene, note that OCULUS editors are looking for writers for the Fall and Winter issues. The themes:

Fall OCULUS: Practice. Focus of this year’s Practice issue is on the architectural office — the culture and decision-making structure of NY-based practices, how the office’s design reflects the culture, along with the views key players in the firm.

Winter OCULUS: Competing for Space. Explore the growing competition between expansionist institutions on limited sites and the interests of adjacent communities, many in residential areas with moderate-income families.

If you’re interested, please contact OCULUS editor-in-chief Kristen Richards. with a brief outline and full contact information.

Spring 2008: closed
Summer 2008: closed
Fall 2008: closed
08.01.08 Winter 2008-09: Competing for Space

04.05.08 Call for Submissions: FIGMENT Governors Island Mini Golf Course
This summer, FIGMENT, a non-profit art project held on Governors Island, is working with the Governors Island Preservation and Education Corporation to install a nine-hole mini golf course on the island. Combining recreation with a participatory art project designed and built by local artists, the course will be free and open to the public on Fridays, Saturdays, and Sundays while the island is open from May 31 to early autumn. The theme is “City of Dreams” and designs will be judged on creativity, structural integrity, playability, feasibility, adherence to theme, and budget. There is also a call for participation in the festival as whole, with a 04.10.08 deadline. Anyone can contribute an art installation, performance, activity, or other project.

04.07.08 Call for Nominations: America’s Best Restroom Award VII
Presented by Cintas Facility Services, the award is open to any restroom that is free of charge and open to the public. Nominators are not required to have a
professional relationship with the business or facility that manages the facility, but nominations based on personal experience are encouraged. Past champions have boasted bathrooms with breathtaking skyline views, unique décor and sparkling stalls. The 2008 winner will receive a plaque of recognition and a coveted place on the America’s Best Restroom “Hall of Fame” section of the program’s website.

04.07.08 Call for Entries: Ho Chi Minh City Design Competition
The Investment & Construction Authority for the Thu Thiem New Urban Area of Ho Chi Minh City, Vietnam, announces an open international design competition. The focus is on the “Central Plaza, Crescent Park, and Saigon River Pedestrian Bridge.” The Competition is in two stages. The first stage is open to international professional design firms and teams (registration from host country required). Six firms will be shortlisted for the second stage and be paid U.S.$20,000 to continue with the work. One winning team will be selected from the shortlist.

04.07.08 Request for Qualifications: New Orleans Riverfront: Reinventing the Crescent
The New Orleans Building Corporation (NOBC) has issued a Request for Qualifications for phase one of the redevelopment of the New Orleans Riverfront.
The team selected through this RFQ process will be tasked with implementing the first phase of the NOBC’s recently finalized concept plan for the development of the Riverfront — Reinventing the Crescent. The document is the product of a team of architects and urban designers selected by the NOBC to provide New Orleans with a world-class riverfront plan. This is a two-part selection process; in the second part, up to four finalists will be selected and interviewed.

04.16.08 Call for Submissions: New York Designs: Threshold
The Architectural League of NY created the New York Designs juried lecture series in 2003 to provide a forum for the presentation of innovative and accomplished work built in NYC. This year’s theme, ‘Threshold,’ focuses on projects whose design mediates distinct conditions, literally or conceptually. To be considered for presentation in the lecture series, individuals and firms are invited to submit one work that was recently built in NYC. There are no limitations in terms of project type, program, size, or budget.

04.18.08 Call for Proposals: The New York Prize Fellowship in Sustainable Cities and the Social Sciences
The Van Alen Institute seeks proposals from scholars and practitioners in the social sciences and related fields for NY-based projects on the topic of sustainable cities. Proposals are welcome in a range of formats — such as workshops, roundtables, installations, and symposia — with a strong curatorial impulse that brings together social scientists and spatial practitioners in architecture, design, and related disciplines for debate and dialogue. Fellowship awards include project support up to $10,000, work and gallery space at the Institute, publication in Public Practice, stipend, and a range of project production, research, and programming resources.

04.21.08 Request for Proposals: Hudson Yards Park and Boulevard
The NYC Department of Design and Construction and the Hudson Yards Development Corporation has issued a Request for Proposals (RFP) for the design of the four-acre Hudson Park and Boulevard and the creation of a streetscape plan for the Hudson Yards area on Manhattan’s West Side. The RFP is a two-stage process. In the first stage, respondents will submit material presenting their ability to provide design services outlined in the RFP. These materials will be evaluated by a Selection Committee to determine a shortlist that will participate in the second stage of the RFP. In the second stage, respondents on the short list will participate in a design competition for the park and streetscape plan.

04.25.08 Call for Entries: AIA NY State 2008 Design Awards
These awards honor works of architecture located anywhere in the world by AIA New York State members and works of architecture located in New York State completed since 01.01.03. This year’s categories are: Residential (Small Projects, less than 5,000 square feet, Large Projects, greater than 5,000 square feet), Institutional, Commercial/Industrial (Small Projects, less than 5,000 square feet, Large Projects, greater than 5,000 square feet), Mixed Use, International, Urban Planning Design, Historic Preservation/Adaptive Reuse, Interiors, and Unbuilt (recognizes commissioned architectural design work by practicing emerging young architects licensed 10 years or less, not yet built or complete).

04.25.08 Call for Ideas: Reinventing Grand Army Plaza
To stur Brooklyn’s Grand Army Plaza’s rebirth, the Design Trust for Public Space, in partnership with the Grand Army Plaza Coalition, has launched an international ideas competition to generate new visions for every aspect of the plaza’s design. The jury will award three cash prizes. First prize is $5,000; second: $2,000; and third: $1,000. In addition, winners and top entries will be exhibited in a fall 2008 outdoor exhibition at Grand Army Plaza.

04.30.08 Call for Entries: CityRacks Design Competition
The NYC Department of Transportation, in partnership with the Cooper-Hewitt National Design Museum and the support of Google Inc. and Transportation Alternatives, has launched an international design competition for new bicycle parking. The purpose is to develop functional, well-designed sidewalk racks and to generate new concepts for bicycle parking inside commercial and residential buildings. The city intends to use the winning sidewalk rack as its new standard for bicycle parking.

05.16.08 Call for Entries: New Practices New York 2008
This is the second juried portfolio competition and exhibition in a new biennial tradition sponsored by the AIANY New Practices Committee. It serves as a platform to recognize and promote new, innovative, and emerging architecture firms within NYC. On 04.02.08, there will be an information session for entrants at the Center for Architecture. For more information, click here. On 04.08.08, there will be a mixer for architects and designers interested or engaged in New Practice. The event, New Practices in the Mix, will be hosted by Poliform. For more information, click here.

Center for Architecture Gallery Hours
Monday-Friday: 9:00am-8:00pm, Saturday: 11:00am-5:00pm, Sunday: CLOSED

Join an Architalker for a Hosted Tour of Center for Architecture
Exhibitions

Join us for free Architalker-hosted tours of the Center for Architecture exhibitions Fridays at 4:00pm. To join one of these tours, meet in the Public Resource Area on the ground floor of the Center for Architecture.

CURRENT EXHIBITIONS

Building China

February 26 — May 31, 2008

Building China

Five Projects, Five Stories

Galleries: Judith and Walter Hunt Gallery, Mezzanine Gallery

The People’s Republic of China is undergoing a phenomenal transformation. Since 1978, with the adoption of an open-door policy, the country has developed a thriving market economy, out of which existing and new cities are experiencing rapid and aggressive growth. A new generation of architects is active in the vanguard of this construction, developing their own architectural identity.

Building China: Five Projects, Five Stories features five unique architectural case studies that were conceived, designed, and recently completed by Chinese architects. Located throughout China, many of these buildings, being exhibited in the U.S. for the first time, offer the public insight into China’s ever changing landscape. Through the stories of these five projects, themes emerge: Production of Contemporary Culture, Reinventing Urban Fabric, Making the Private Public, Reinterpreting Traditional Design Philosophy, and Hybrid Development Models. These case studies of contemporary architecture introduce critical voices from the People’s Republic of China, challenging the West’s stereotypical interpretation of China as a homogeneous society.

Organized by: The AIA New York Chapter and the Center for Architecture Foundation in collaboration with People’s Architecture and the AIA New York Chapter International Committee

Curator: Wei Wei Shannon, People’s Architecture

Co-Curator: Shi Jian

Exhibition Design: Popular Architecture

Graphic Design: Omnivore

Photography: Iwan Baan

Patron: Digital Plus

Supporters:
Beyer Blinder Belle: Architects & Planners

EDAW

Jerome and Kenneth Lipper Foundation

Friend: Häfele, Calvin Tsao

Related Events

Friday, May 9, 2008, 6:30 — 8:30

Asian CineVision presents Films from Contemporary China

Friday, May 30, 2008, 6:30 &#8212 8:30pm

Film from the Da Zha Lan project, Sponsored by
the Asian/Pacific/American Institute at NYU and NYU’s China House

To register or for more information: www.aiany.org/calendar
CES credits available


February 15 — April 12, 2008

Co-Evolution:
Danish/Chinese Collaboration on Sustainable Urban Development in China

Galleries: Kohn Pedersen Fox Gallery, HLW Gallery

The exhibition confronts the environmental challenges related to rapid and extensive urbanization in China and illustrates the value of international and interdisciplinary collaboration. CO- EVOLUTION displays four visionary projects – the results of collaborations between Danish architects and professors and students from leading Chinese universities.

This exhibition at the Center for Architecture is financed by the Danish Ministry of Culture

Related Programs organized by the AIA New York Chapter, the Center for Architecture Foundation, the Danish Architecture Centre, People’s Architecture, and the AIA New York Chapter International Committee

Curator: Henrik Valeur and UiD

Sponsored by:
  

Engineering Consultancy Services:

Related Events

Friday, May 9, 2008, 6:30 — 8:30

Asian CineVision presents Films from Contemporary China

Friday, May 30, 2008, 6:30 &#8212 8:30pm

Film from the Da Zha Lan project, Sponsored by
the Asian/Pacific/American Institute at NYU and NYU’s China House

To register or for more information: www.aiany.org/calendar
CES credits available


One Bryant Park

January 28 — May 3, 2008

Project Showcase: The Bank of America Tower at One Bryant Park

Galleries: Margaret Helfand Gallery, Gerald D Hines Gallery, Public Resource Center

Under the growing pressure of the climate crisis, how we design, as well as what we design has become a critical issue. The new office tower at Bryant Park, designed by Cook+Fox Architects and developed by the Durst Organization and Bank of America, is an example of how the design of tall buildings can be fundamentally rethought, serving the client and the planet with equal efficiency and respect. This exhibition explores One Bryant Park as a living ecosystem composed of the elements Light, Air, Water, Fire and Earth. These primary forces, when thoughtfully addressed as integrated and sustainable systems, contribute to a substantial reduction in the environmental impact of tall buildings, as well as to worker health and productivity. Anticipating a LEED platinum rating (Leadership in Energy and Environmental Design), the highest level of sustainable design recognized by the USGBC (U.S. Green Building Council), the crystalline faceted 54-story tower is at once both an iconic corporate presence and an emblem for the green design movement. Project Showcase: The Bank of America Tower at One Bryant Park asks design professionals to look more deeply at how architecture can engage natural systems and infrastructure, how sustainable measures can be more user-friendly, and how we can raise awareness for the urgent need of comprehensive green building solutions.

Exhibition and related programs organized by the AIA New York Chapter and the Center for Architecture Foundation in collaboration with the Illuminating Engineering Society of New York (IESNY)

Curator: Margaret Maile Petty

Exhibition Design: Morris | Sato Studio

Graphic Design: WSDIA | WeShouldDoItAll

Lead Sponsor: A. Esteban & Company

Sponsors: Cline Bettridge Bernstein Lighting Design, Illuminating Engineering Society of New York (IESNY), Severud Associates, Tishman Construction Corporation

Severud

Supporter: Jones Lang LaSalle

Exhibition Announcements

Ant Farm

Courtesy Columbia University

Through 05.02.08
Ant Farm: Radical Hardware

Established in 1968, Ant Farm was a collaborative art and design group with a revolutionary vision of a nomadic lifestyle. This exhibition presents an early period of Ant Farm’s architectural projects and environmental media strategies. Videos, 35 mm slides, collages, and other archival documents related to Truckstop Network, Osmic Accelerator, The House of the Century and other projects will track Ant Farm’s prescient and critical engagement with the spaces and apparatuses of the “videosphere” and other emerging image technologies.

Arthur Ross Architecture Gallery, Buell Hall, Columbia University
116th Street and Amsterdam Avenue, NYC


EPA

Courtesy Exit Art

Through 05.03.08
E.P.A.

E.P.A. (Environmental Performance Actions) is a large-scale program dealing with current environmental concerns and the way artists respond to them. This group exhibition surveys recent performance work from around the world and consists of videos, photographs, texts, related ephemera, and a film program documenting recent performances. The goal is to draw attention to climate change, watersheds, urbanization, and, ultimately, human survival.

Exit Art
475 10th Avenue, NYC


Cory Treadway

©Cory Treadway, courtesy Gensler

Through 05.23.08
Outside / Inside

Photography exhibition features 12 alumni from the School of the International Center of Photography (ICP) representing an international group of emerging photographic artists, whose work explores dichotomies and nuance in the built environment. Artists include: Charles Atherton, Marla Caplan, Ray Klimek, Tim Lehmacher, Matthew Monteith, Noemi Nin Pflüger, Catherine Kunkemueller, Jeff Luckey, Mauro Restiffe, Stuart O’Sullivan, Ryan Thatcher, and Cory Treadway.

Gensler New York’s Rockefeller Center Office
By appointment: 212-492-1433
1 Rockefeller Plaza, NYC

03.18.08

03.18.08

With the weather finally improving but with April showers looming in the near future, now is a great time to walk the city and see the sights you may have missed over the winter — such as Astroland, which re-opened last weekend for the last time (again).

– Jessica Sheridan, Assoc. AIA, LEED AP


Correction: In the last issue of e-Oculus, the In the News section ran a piece called, “Industrial Meets Green at Brooklyn Navy Yard,” about the Perry Avenue building on the Museum Resource Campus for SurroundArt. Stantec is the design architect and architect-of-record for the core and shell of the Perry Avenue building, and it is filing for LEED CS certification. Steven Kratchman Architect is retained by SurroundArt for design of tenant fit-out work for their leased space, including interiors at the Perry Avenue building. Also, the rendering was incorrectly credited and should have gone to Stantec. We apologize for the incorrect information.

Two Roads to Building China

Event: Made By China Symposium
Location: Center for Architecture, 03.01.08
Introductions: Wei Wei Shannon — Curator, Shi Jian — Co-Curator, Building China: Five Projects, Five Stories exhibition
Speakers: Building China Panel: Zang Lei — Owner, AZL Atelier Zanglei (Nanjing); Yan Meng — Partner, Urbanus Architecture & Design (Shenzhen); Wang Shu — Partner, Amateur Architecture Studio (Hangzhou)
Moderator: Clifford Pearson — Architectural Record
Co-Evolution Panel: Ambassador Richard Swett, FAIA — Managing Principal, Leo A Daly, Washington DC office, & former U.S. Ambassador to Denmark; Kent Martinussen — CEO, Danish Architecture Centre; Dan Stubbergaard — Principal, COBE (Copenhagen)
Moderator: Søren Sønderstrup — Communications Consultant, Danish Architecture Centre
Organizers: AIANY; The Center for Architecture Foundation; People’s Architecture; Danish Architecture Centre; UiD; AIANY International Committee
Sponsors: Patron: Digital Plus; Supporters: Beyer Blinder Belle Architects & Planners; EDAW; Jerome & Kenneth Lipper Foundation; Friend: Bartco Lighting; Häfele; Ibex Construction; Let There Be Neon; Tsao & McKown Architects

Dafen Cultural Center

The Dafen Cultural Center by Urbanus Architecture responds to its urban context.

Courtesy AIANY

Both exhibitions at the Center for Architecture — Building China: Five Projects, Five Stories, and Co-Evolution: Danish/Chinese Collaboration on Sustainable Urban Development in China, take up China’s building boom. The greatest challenge facing Chinese architects today is to “be local within a global context,” says Shi Jian, co-curator of the Building China exhibition. Conversely, the Danish Architecture Centre (DAC), seeing China’s growth as part of an international struggle to “co-evolve” toward a more sustainable world, is pressing China’s universities and municipalities to share development knowledge and experience with the rest of the world.

A new generation of Chinese architects, including AZL Atelier Zanglei, Urbanus Architecture & Design, and Amateur Architecture Studio, is responding to issues of globalization and urban growth by embracing both international modernity and the specifics of local context. For example, AZL Atelier Zhanglei used local brick and farmer/craftsmen labor in the Brick House to create modern surface patterns that are abstract yet grounded in local culture. In the Dafen Cultural Center, Urbanus Architecture employed multi-use programming to deal with its urban context. The integration of retail shops, classrooms, and exhibition spaces within the center, and reserving its exterior for murals by local artists, reflects the identity of the thriving artist community.

Wang Shu, partner of Amateur Architecture Studio, approaches context as a poetic, rather than a material or programmatic, challenge. Referring to the harmonious relation of man and nature in Chinese landscape paintings, Shu seeks an architecture that integrates “seamlessly into nature.” Incorporating materials and forms of Chinese villages, the firm’s campus design for the Chinese Academy of Arts is intended to evoke a “2,000-year-old village trapped in a bottle.”

To Kent Martinussen, DAC’s CEO, China’s urbanization highlights environmental problems worldwide, which he believes require international collaboration. Pairing several Danish architects with teams from Chinese universities, the Co-evolution project explores sustainable solutions for environmental remediation, infrastructure planning, and site development. In the Magic Mountain proposal, for instance, COBE combined transit-oriented garden city planning with clustered high-rise development. Pointing to China’s immense development capacity, Martinussen emphasized harnessing this power and discerning “how it might be done better, through new alliances and new understandings.”

Financial Institutions Bank on Brands, Trust

Event: Public Lecture Series: Design Directions for Banking and Finance
Location: Center for Architecture, 03.10.08
Speakers: Serge Appel, AIA, LEED AP — Associate Partner, Cook + Fox Architects; Lance Boge — Principal, Gensler; Randolph H. Gerner, AIA — Partner, Gerner Kronick + Valcarcel, Architects; Rafael Pelli, AIA, LEED AP — Partner, Pelli Clarke Pelli Architects NY Office
Moderator: Fanny Gong, AIA — Co-Chair, AIANY Committee on Banking and Financial Institutions
Organizer: AIANY Committee on Banking and Financial Institutions
Sponsors: Champion: Studio Daniel Libeskind; Supporters: Gensler; Humanscale; James McCullar & Associates; Friends: Costas Kondylis & Partners; Forest City Ratner Companies; Frank Williams & Associates; Hugo S. Subotovsky A.I.A. Architects; Mancini Duffy; Magnusson Architecture and Planning; Rawlings Architects; RicciGreene Associates; Skidmore, Owings & Merrill; Syska Hennessy Group; Trespa North America; Universal Contracting Group

Empire State Building, One Bryant Park

One Bryant Park will impact the NYC skyline creating an icon for Bank of America.

Jessica Sheridan

Whether they are small-scale, local retail branches or large international corporate headquarters, banks have a very simple agenda: evoke a sense of trust in people. Recruitment and retention is the goal for institutions, both for their customers and employees; it is up to the architects to suggest security, familiarity, wealth, and even happiness in their designs.

For retail banks, banks are for the consumer; hence, they must portray a strong, easily identifiable brand. Gensler has designed a series of LEED Silver PNC Banks, projecting an attitude that aims to attract consumers. The branches are designed using a panel system so each bank may be adjusted based on size or site requirements. Not only is the system flexible and standardized for fast production, it creates an overall aesthetic for the bank. Anyone driving by will recognize the bank by the architecture, not just the signage.

The United Overseas Bank in Singapore, designed by Kenzo Tange with interiors by Gerner Kronick + Valcarcel Architects, on the other hand, uses metaphor to invoke a sense of strength and prosperity. The building has a presence in the city because of its height and central location along the Singapore River. The interior takes advantage of this by incorporating 40-foot-high ceilings in the main hall. An interior stream takes water from the river to a central fountain symbolizing money flowing into the bank — seems an early failed scheme had water flowing the other way — and a large coin-like object made from gold and silver leaf creates an image of money falling from the sky.

For corporate and trading offices, banks compete for the most qualified employees. Attracting and retaining those individuals becomes the focus of their designs. At 731 Lexington Avenue, where Bloomberg is headquartered, Pelli Clarke Pelli Architects created a social atmosphere by minimizing individual workspaces and maximizing collective areas. Conference rooms, cafeterias, and public areas are centered around an exterior courtyard, or “urban room.” Because the building is mixed-use, the courtyard acts as an oasis from the bustling retail-oriented avenues, and provides a space for business functions. The courtyard is lined with stainless steel tubes that create both transparency and privacy, and act as a framework for events that enhance office culture — from canvas canopies to the annual Christmas tree.

When completed, it is hoped that One Bryant Park, designed by Cook + Fox Architects, will attract employees for Bank of America through sustainable design. 100% of the building incorporates under-floor air systems and individual temperature controls providing the maximum amount of comfort and a healthier interior environment. The air will be cleaner inside than outside, said Serge Appel, AIA, LEED AP, associate partner at Cook + Fox Architects. With floor-to-ceiling glass on the exterior and interior glass partitions, daylight will penetrate to the core and provide views of the skyline and Bryant Park. With the many green features, Cook + Fox Architects hopes to increase productivity by 1%, or five minutes a day per person. This is equal to one fewer sick day per year per person, and a savings of approximately $7.5million for the bank.

To attract clients, retail banks need to focus on brand identity and marketing to the public, while their corporate office counterparts compete to provide the best work environment for the highest quality employees. In these four examples, the architects tried to create iconic architecture that provides a brand identity through systems, symbols, layout, and sustainability.

“Cultivate Your Garden,” is Edible Estates’ Thrust

Event: Edible Estates: Attack on the Front Lawn
Location: Celeste Bartos Forum, 03.07.08
Speakers: Fritz Haeg — Principal, Fritz Haeg Studio & Project Creator, “Edible Estates”; Peter Sellars — Theater Director; Dolores Hayden — Author & Professor of Architecture, Urbanism, and American Studies, Yale University; Frederick Kaufman — Author, “A Short History of the American Stomach”; Shamim Momin — Associate Curator, Whitney Museum, Branch Director and Curator, Whitney Museum at Altria, & Curator, 2008 Whitney Biennial
Organizer: The New York Public Library; Metropolis Books

Edible Estates

After witnessing the political polarization of the 2004 Presidential election, designer Fritz Haeg sought to unify people through that well-known common space — their front lawns. Since a majority of suburban-dwelling Americans have front lawns, which Haeg sees as vast spaces that isolate people from their communities, he began transforming them into edible, organic gardens. Now, he hopes that the Edible Estates project will replenish links connecting neighbors, resources, and food.

The predecessors to Edible Estates are the Victory Gardens of WWI and WWII; but where the wartime harvests were meant to relieve the pressure on the national food supply and inspire patriotism, Edible Estates adopts an agenda of “edible activism.” Responding to current environmental crises, Haeg’s gardens not only make landscapes more sustainable, but also make visible the labor behind food production — a process from which typical Americans have largely been removed.

Placing garden ecology in the boundary between house and street exposes homeowners to the actions of those around them. However, Haeg believes the project will also encourage civility and respect among neighbors. It is a way to re-imagine what it means to share resources and ideas, making public gestures in private spaces. The barren American front lawn, he hopes, will be replaced with lush gardens that echo sustainability and civic spirit (and a good meal).

Nomadic Warriors Staff International Practice

Event: Research and Design: Best Sustainable Practices Abroad: A Presentation by Woods Bagot
Location: Center for Architecture, 03.06.08
Speaker: Nik Karalis — Director, Woods Bagot
Organizer: AIANY International Committee

A roving team of “nomadic warriors” drives Australian-based design and planning firm Woods Bagot’s international practice. Largely staffing their projects from sites in four regions — Australia, Asia, Middle East, and Europe — the firm encourages employees to follow the “journey of the idea,” using local bases to move projects from start to finish. Teams are encouraged to study a place and immerse themselves in analysis of the locale before even picking up a pen to design. “We’re not seagull architects,” said Nik Karalis, director at Woods Bagot, referring to other designers who swoop in and out of different project locations, “we live and breathe the culture.”

This approach to work process results in projects that both respect the culture and improve the environment. In its master plan for the College of the North Atlantic in Dubai, regional Bedouin rugs inspired Woods Bagot when planning the many interior courtyards. Complex patterns of Islamic writing were used to design deep sun shading devices around the buildings’ perimeters.

The firm is moving from the concept of applied sustainability (applying points and pre-packaged solutions) towards site-based environmental considerations that influence design. For the Qatar Science and Technology Park, the firm designed an intricate exterior canopy that provided a sun-shaded veil over the buildings inspired by the site’s rolling topography. If done right, Karalis said, “globalization can signify a move away from monoculture.”

Passion Preserves NYC History

Event: Preserving New York — Then and Now Symposium
Location: Museum of the City of New York, 02.23.08
Speakers: Susan Henshaw Jones — President & Director, Museum of the City of New York; Lisa Ackerman — Executive Vice President & COO, World Monuments Fund; Anthony M. Tung — Urbanist & Author; Anthony C. Wood — Author; Tony Hiss — Visiting Scholar, Wagner School of Public Service, New York University
Panel 1: Where Did the ‘History’ Go in Historic Preservation?: Jane McNamara — Senior Program Officer, New York Council for the Humanities; Andrew Dolkart — James Fitch Associate Professor of Historic Preservation, Columbia University; Ned Kaufman — Visiting Associate Professor, NYC Program, Cornell University; Michael Miscione — Manhattan Borough Historian
Panel 2: The Media and Preservation: New Media, Old Roles?: Francis Morrone — Art & Architecture Critic, Columnist, The New York Sun; Alan G. Brake — Associate Editor, The Architect’s Newspaper; Jonathan Butler — Founder and Editor, Brownstoner.com; Suzanne Stephens — Deputy Editor, Architectural Record
Panel 3: Preservation and Progress: Mary Schmidt Campbell — Chair, NY State Council on the Arts (NYSCA); Anne van Ingen — Director, Architecture, Planning & Design, NYSCA; Kenneth T. Jackson — Jacques Barzun Professor in History and the Social Sciences, Columbia University; Robert A.M. Stern, FAIA — Principal, Robert A. M. Stern Architects; Amy Freitag — Deputy Commissioner for Capital Projects, NYC Department of Parks & Recreation; Melissa Baldock — Director of Preservation & Research, Greenwich Village Society for Historic Preservation; Randall Mason — Associate Professor, Graduate Program in Historic Preservation, University of Pennsylvania
Panel 4: The Preservation Civic Sector in Times of Change: Eric Allison — Co-Founder & Coordinator, Graduate Program in Historic Preservation, Pratt Institute; Andrew Berman — Executive Director, Greenwich Village Society for Historic Preservation; Frances Kunreuther — Director, Building Movement Project; Kevin Wolfe — Vice President, Douglaston Little Neck Historical Society
Organizers: The Museum of the City of New York; New York Preservation Archive Project

Tenement Museum

The Levine Apartment at the Tenement Museum.

Courtesy Tenement Museum

Author Anthony Wood opened this Preserving NY Symposium by quoting William Faulkner’s Requiem for a Nun: “The past is never dead. It is not even the past.” Conservation possesses complexity, ranging from protecting Modernism (spearheaded by the formation of the Landmarks Preservation Commission) to using blogs (such as brownstoner.com) to build coalitions to save at-risk buildings and neighborhoods.

Preservation has existed in NYC since the end of the 19th century. While the definition has changed throughout the years, the newest chapter of the “movement” takes in of a wider range of projects than ever before considering both history and architectural value, according to Andrew Dolkart, professor of historic preservation at Columbia University. The Tenement Museum, for example, would not have been considered worthy of preservation according to the original Commission’s parameters, as it tended to exclude the immigration story. Now, preservationists have a more collective perspective of history, inclusive of foreigners and their struggles.

Robert A.M. Stern, FAIA, illustrated how preservation can be used as a tool to alleviate blight. SoHo was a devastated area, for example, but now it is thriving because it has preserved the old brownstones and historic buildings while allowing new construction.

Kenneth T. Jackson, professor of history at Columbia University, was the symposium’s anti-preservationist, proclaiming that preservation is for “loser cities” and NYC is not a losing city. He believes it should continue to build leaving history for the books.

Overall, the common tone was fervor. Time and time again, the passion of a community or an individual has proven the value of a building or neighborhood in an ever-changing city.