In this issue:
· AIANY Policy Round up
· NBAU Report

AIANY Policy Round up
It’s been a busy summer for the City Council as it looks for ways to improve the city’s built environment. In initiatives spearheaded by AIANY’s new Director of Policy Marian Imperatore, AIA, the Chapter gave testimony at three council hearings. At the Bicycle Storage hearing on June 15, AIANY and Marian Imperatore spoke in support of a rule that would require commercial and residential building owners to provide bike storage to their residents. On June 26, AIANY Vice President of Public Outreach Margaret Castillo, AIA, LEED AP, spoke in support of the initiatives of the Greener, Greater Buildings Plan, which proposes energy audits for existing buildings, and would hold all of New York’s buildings — not just new construction — to higher energy standards. On June 29, Imperatore weighed in on the debate over Coney Island’s redevelopment. Stay tuned to e-Oculus for more news once the Council votes on all three initiatives.

NBAU Report
AIANY President Sherida Paulsen, FAIA, spoke to a lunchtime crowd on June 24 about how architects can make the stimulus package work for them at a Not Business As Usual (NBAU) discussion called “Stimulus Project Opportunities.” She discussed national resources (see AIA National’s resources for small firms), NY State guidelines (visit NY State’s Economic Recovery page), and grassroots efforts ranging from designing street furniture and entering design competitions, to helping local restaurants obtain outdoor and expansion permits.

AIANY Managing Director Cynthia Kracauer, AIA, shared her suggestions for finding work as a small firm. Often, big government jobs have set aside an allocation of work for small firms. A few minutes on the Federal Business Opportunities site can reveal opportunities, even during the economic slowdown.

This was the latest in a series of Wednesday afternoon discussions to help out-of-work architects. On June 3, “Focus on Students/New Graduates” divided the group of emerging architects into focus areas, ranging from portfolio and resumé reviews, to IDP and ARE advice, to information about volunteer opportunities. “Powerful Communication” offered a primer on body language and public speaking on May 20. “Design Awards and Your Practice,” on May 6, focused on the importance that competitions and awards can play in marketing efforts and how awards, whether won by a firm or an individual, speak to the caliber of work that can be expected by a client. Also, with the economic slowdown, competitions allow designers time to think through ideas — an opportunity not always available when trying to meet tight deadlines.

The next NBAU event will take place July 8 and feature a panel on alternative careers. Click here to rsvp.

Center for Architecture Gallery Hours
Monday-Friday: 9:00am-8:00pm, Saturday: 11:00am-5:00pm, Sunday: CLOSED

CURRENT EXHIBITIONS

A Space Within: The National September 11 Memorial & Museum

June 25 – September 14, 2009

On September 11th, 2001, what had been one of the world’s most densely developed business districts became, for many, hallowed ground. Soon after, questions emerged. What comes next? How could one site serve the needs of victims’ families, survivors of the attacks, members of the surrounding communities, business interests, and visitors?

The answer required a clear separation of the sacred and the secular; a defined, eight-acre space, serving as a tribute, would be created within the larger development. A Space Within is a public showcase of the memorial and museum that are now taking shape at the heart of the World Trade Center site.

Memorial design by Michael Arad and Peter Walker
Museum design by Davis Brody Bond Aedas
Museum pavilion design by Snøhetta

Exhibition curator:
Thomas Mellins
Exhibition design: Incorporated Architecture & Design

Exhibition and related programs are organized by the AIA New York Chapter in partnership with the Center for Architecture Foundation and the National September 11 Memorial & Museum.
This exhibition is made possible through the generous support of the following sponsors:

Partner:
National September 11 Memorial & Museum
Leading Sponsor: Digital Plus
Faithful+Gould
Skidmore, Owings & Merrill
Sponsor:
Associated Fabrication
Supporter: Adamson Associates
Fisher Marantz Stone
Guy Nordenson and Associates Structural Engineers
Horizon Engineering Associates
Mueser Rutledge Consulting Engineers
Simpson Gumpertz & Heger
Snøhetta
Wiss, Janney, Elstner Associates
WSP Cantor Seinuk


New Practices San Francisco

June 04 – September 19, 2009

New Practices San Francisco is the 2009, West Coast premiere of AIA New York’s annual portfolio competition and exhibition. New Practices San Francisco is a platform for recognizing and promoting new and emerging architecture firms within San Francisco that have undertaken innovative strategies — both in projects and practice. The New Practices program was launched in 2005 by AIA New York to showcase promising new architectural firms.

New Practices San Francisco will be on view at the Center for Architecture from June 4, 2009 through September 19, 2009. It will then be on view at the Center for Architecture & Design, San Francisco, from November 12, 2009 through January 29, 2010. The exhibition will be accompanied by a series of programs organized by the AIA New York Chapter in collaboration with the New Practices Committee and AIA San Francisco.

Congratulations to our 2009 New Practices San Francisco Winners:

* CMG Landscape Architecture
* Edmonds + Lee Architects
* Faulders Studio
* Kennerly Architecture & Planning
* Min|Day
* Public Architecture

Exhibition Design:

Matter Practice, 2008 New Practices New York winning firm.

Graphic Design:
Anyspace Studio

Organized By:
AIA New York/ Center for Architecture, AIA San Francisco/ Center for Architecture + Design, and the New Practices Committee

This exhibition is made possible through the generous support of the following sponsors:

Lead Sponsor:

Presenting Sponsor: Hafele
Sponsor: MG & Company
Supporter: Hawa
Friends: diamondLife, Specialty Finishes, Trespa and Yarde Metals – Hauppauge, NY, and Hotel Carlton San Francisco
Media Partner: The Architect’s Newspaper


The Global Polis: Interactive Infrastructures

May 15 – August 29, 2009

What is infrastructure? For much of the twentieth century, the answer to this question was guided by the ideology of functionalist urbanism, a school of thought that said that all healthy cities served four major needs – work, housing, recreation, and transportation. Today, we no longer take this view for granted, for it is a perspective that makes no provisions for community, identity, or history. At the same time, we still lack an alternative model for visualizing the city that can deal adequately with the public health and quality-of-life issues that the early functionalists sought to address. Our capacity to balance urban development with the demands of ecological imperatives and social needs has only worsened in recent decades, and this exhibition asks whether the trend can be reversed.

Global Polis: Interactive Infrastructures documents a series of contemporary experiments in planning, architecture, and design that treat cities and their environments in holistic terms, as a complex social, political, and ecological matrix – not just as an assembly of buildings, roadways, bridges, pipes, and tunnels (although each of these is important). Infrastructure cannot be divorced from the structure of democracy, from the environment at large, and the contributions to this exhibition highlight the important role that community, communication, participation, and the sharing of knowledge can play in informing understanding of the urban fabric.

This spring and summer, a series of workshops and public programs will be held to generate discussion and debate about civic participation, urbanism, and design. Drawings and diagrams produced in the workshops will be incorporated into the exhibition as an evolving presentation of ideas.

Exhibition and related programs organized by AIA New York in partnership with Architecture for Humanity New York (AFHny) , The Austrian Cultural Forum, and the American Institute for Graphic Arts New York (AIGA NY).

Curator: Nader Vossoughian
Exhibition Design: Project Projects

SPONSORS
Underwriter:

Lead Sponsor:

Supporter:
Consulate General of The Netherlands

Friend:
Times Square Alliance

In this issue:
· NYC Turns Old Into Green
· Transportation Reform Rolls Into Washington
· Proposed Energy Code Sets New Standards for Clean Energy
· ARE Prices Increase
· Tribute: Bernard Rothzeid, FAIA, Architect, 83


NYC Turns Old Into Green

AIANY Committee on the Environment (COTE) co-chairs Patricia Sapinsley, AIA, and Charlie Griffith, AIA, with AIANY Policy Director Marian Imperatore, AIA, have been busy gathering support for four green building bills coming before the City Council Friday, June 26. The NYCC Buildings Energy Legislation (# 476A Benchmarking, #973 Lighting Upgrades, #564 NYC Energy Code, and #967 Audits and Retrofits) — prepared by the Mayor’s Office of Sustainability — will extend the reach of the city’s energy rules. The bills will ensure that, for the first time, New York State’s Energy Code will apply energy standards to the city’s existing building stock. It requires, among other things, that building owners audit their energy use and upgrade their buildings’ energy profile when they renovate (previously, that energy upgrade had only applied to major renovations). The legislation will cut down on NYC’s carbon footprint and improve the city’s building stock. AIANY and the USGBC are supportive, but there will be significant opposition from some NYC property owners. To contact your councilmember, click here. More on the vote in the next edition of e-Oculus.


Transportation Reform Rolls Into Washington

Last week the House Transportation and Infrastructure committee released the summary of their Surface Transportation Authorization Act of 2009. Drafted by Committee Chairman Jim Oberstar (D-MN) and Ranking Republican John Mica (R-FL), the six-year, $450-billion bill brings 75 different programs under one, sustainability-minded umbrella. For the design community, the most important component of the act is the new Office of Livable Communities. The U.S. Department of Transportation-based office would bring transportation and community planning together as never before. However, the Senate still has to respond, and Congress members aren’t sure where the budget will come from. President Obama suggested the bill wait 18 months for more funds, as the current transportation financing, in The Highway Trust Fund, is running close to empty.


Proposed Energy Code Sets New Standards for Clean Energy

The New Buildings Institute and AIA announced their plan for a new International Energy Conservation Code. They are proposing that the International Code Council adopt the new standards — which would improve energy performance, reduce emissions, and improve efficiency in new commercial buildings by up to 30% — for their next update, which is due out in 2012. Read more about the proposal here.


ARE Prices Increase

You have until October 1 to schedule Architect Registration Exam (ARE) appointments at the $170-per-division price. On that day, prices for each division will increase by $40. The National Council of Architectural Registration Boards (NCARB) explains that this security and development fee is due to recent content disclosure incidents. The upshot of a few candidates posting ARE questions on the Internet created new content development, administrative, and legal fees. The cost to NCARB: $1.1 million. Click here for the full story.


Tribute: Bernard Rothzeid, FAIA, Architect, 83

Bernard Rothzeid, FAIA, a leading New York architect and founder of RKT&B Architects, died of leukemia on May 25, 2009. He was 83 and lived in Park Slope, Brooklyn.

Although Bernie Rothzeid was 10 years my senior, we had much in common (we both attended Stuyvesant High School and MIT, followed by a Fulbright Traveling Grant). It was natural for me to look to him as a leader in our profession, and a most serious and dedicated architect.

After his Fulbright to Italy and on his return to New York, Bernie became a project architect at I.M. Pei and Partners, supervising the design and construction of such large-scale projects as the Place Ville Marie in Montreal. Bernie became a pioneer in the adaptive re-use of existing structures. Turtle Bay Towers, a former commercial building, received a First Honor Award from the AIA and was, at the time, the largest residential conversion in the city. In 1963, he founded his own architectural firm and rapidly acquired major clients. By 1974, as Bernard Rothzeid & Partners, the firm continued to prosper, and in 1981 became Rothzeid Kaiserman Thomson & Bee, converting and renovating buildings of all types, many of which received city, state, and/or national awards for innovative design. Historic preservation became an RKT&B specialty.

Bernie was elected to the College of Fellows of the AIA in 1979, and in 1986 he received the Augustus Saint Gaudens Award from The Cooper Union from which he graduated before getting his Master’s at MIT. (Prior to Cooper Union, he served in the U.S. Army in the Philippines during World War II from 1944-1946.) He served on the boards of The Cooper Union, New York Methodist Hospital, and the Citizen’s Housing and Planning Council, and was active in numerous other organizations. He also taught at The Cooper Union and at the School of Architecture and Environmental Studies at City College in New York. The National Endowment for the Arts awarded him a grant in 1980 to study the chattel houses in Barbados.

He was highly esteemed by students, clients, and associates alike as a devoted mentor, exemplary colleague, and loyal friend. I often sought him out for advice, especially in the area of preservation, mixing old and new. He is survived by his wife of 55 years, Madge, his daughter Mitzie and his son Alexander. In addition to his lifelong commitment to his family and to architecture, he was an avid theatergoer, reader, gardener, and New York Giants fan. But among his preoccupations in recent years, none took hold with greater passion than his return to drawing and painting, which he had first learned as an art student at Cooper Union. “There’s something very beautiful about a well-crafted drawing,” he recently remarked. “You don’t get it with a machine drawing.”

Center for Architecture Gallery Hours
Monday-Friday: 9:00am-8:00pm, Saturday: 11:00am-5:00pm, Sunday: CLOSED

Join an Architalker for a Hosted Tour of Center for Architecture
Exhibitions

Join us for free Architalker-hosted tours of the Center for Architecture exhibitions Fridays at 4:00pm. To join one of these tours, meet in the Public Resource Area on the ground floor of the Center for Architecture.

UPCOMING EXHIBITIONS

A Space Within: The National September 11 Memorial & Museum

June 25 – September 14, 2009

On September 11th, 2001, what had been one of the world’s most densely developed business districts became, for many, hallowed ground. Soon after, questions emerged. What comes next? How could one site serve the needs of victims’ families, survivors of the attacks, members of the surrounding communities, business interests, and visitors?

The answer required a clear separation of the sacred and the secular; a defined, eight-acre space, serving as a tribute, would be created within the larger development. A Space Within is a public showcase of the memorial and museum that are now taking shape at the heart of the World Trade Center site.

Memorial design by Michael Arad and Peter Walker
Museum design by Davis Brody Bond Aedas
Museum pavilion design by Snøhetta

Exhibition curator:
Thomas Mellins
Exhibition design: Incorporated Architecture & Design

Exhibition and related programs are organized by the AIA New York Chapter in partnership with the Center for Architecture Foundation and the National September 11 Memorial & Museum.
This exhibition is made possible through the generous support of the following sponsors:

Partner:
National September 11 Memorial & Museum
Leading Sponsor: Digital Plus
Faithful+Gould
Skidmore, Owings & Merrill
Sponsor:
Associated Fabrication
Supporter: Adamson Associates
Fisher Marantz Stone
Guy Nordenson and Associates Structural Engineers
Horizon Engineering Associates
Mueser Rutledge Consulting Engineers
Simpson Gumpertz & Heger
Snøhetta
WSP Cantor Seinuk

CURRENT EXHIBITIONS

New Practices San Francisco

June 04 – September 19, 2009

New Practices San Francisco is the 2009, West Coast premiere of AIA New York’s annual portfolio competition and exhibition. New Practices San Francisco is a platform for recognizing and promoting new and emerging architecture firms within San Francisco that have undertaken innovative strategies — both in projects and practice. The New Practices program was launched in 2005 by AIA New York to showcase promising new architectural firms.

New Practices San Francisco will be on view at the Center for Architecture from June 4, 2009 through September 19, 2009. It will then be on view at the Center for Architecture & Design, San Francisco, from November 12, 2009 through January 29, 2010. The exhibition will be accompanied by a series of programs organized by the AIA New York Chapter in collaboration with the New Practices Committee and AIA San Francisco.

Congratulations to our 2009 New Practices San Francisco Winners:

* CMG Landscape Architecture
* Edmonds + Lee Architects
* Faulders Studio
* Kennerly Architecture & Planning
* Min|Day
* Public Architecture

Exhibition Design:

Matter Practice, 2008 New Practices New York winning firm.

Graphic Design:
Anyspace Studio

Organized By:
AIA New York/ Center for Architecture, AIA San Francisco/ Center for Architecture + Design, and the New Practices Committee

This exhibition is made possible through the generous support of the following sponsors:

Lead Sponsor:

Presenting Sponsor: Hafele
Sponsor: MG & Company
Supporter: Hawa
Friends: diamondLife, Specialty Finishes, Trespa and Yarde Metals – Hauppauge, NY, and Hotel Carlton San Francisco
Media Partner: The Architect’s Newspaper


The Global Polis: Interactive Infrastructures

May 15 – August 29, 2009

What is infrastructure? For much of the twentieth century, the answer to this question was guided by the ideology of functionalist urbanism, a school of thought that said that all healthy cities served four major needs – work, housing, recreation, and transportation. Today, we no longer take this view for granted, for it is a perspective that makes no provisions for community, identity, or history. At the same time, we still lack an alternative model for visualizing the city that can deal adequately with the public health and quality-of-life issues that the early functionalists sought to address. Our capacity to balance urban development with the demands of ecological imperatives and social needs has only worsened in recent decades, and this exhibition asks whether the trend can be reversed.

Global Polis: Interactive Infrastructures documents a series of contemporary experiments in planning, architecture, and design that treat cities and their environments in holistic terms, as a complex social, political, and ecological matrix – not just as an assembly of buildings, roadways, bridges, pipes, and tunnels (although each of these is important). Infrastructure cannot be divorced from the structure of democracy, from the environment at large, and the contributions to this exhibition highlight the important role that community, communication, participation, and the sharing of knowledge can play in informing understanding of the urban fabric.

This spring and summer, a series of workshops and public programs will be held to generate discussion and debate about civic participation, urbanism, and design. Drawings and diagrams produced in the workshops will be incorporated into the exhibition as an evolving presentation of ideas.

Exhibition and related programs organized by AIA New York in partnership with Architecture for Humanity New York (AFHny) , The Austrian Cultural Forum, and the American Institute for Graphic Arts New York (AIGA NY).

Curator: Nader Vossoughian
Exhibition Design: Project Projects

SPONSORS

Underwriter:

Center for Architecture Foundation

Lead Sponsor:

Supporter:

Consulate General of The Netherlands

Friend:

Times Square Alliance

Art Makes the Grade in Public Schools

Event: Good Schools: Inside and Out
Location: Center for Architecture, 05.28.09
Speakers: Paul Broches, FAIA, LEED AP – Partner, Mitchell/Giurgola Architects; Ned Smyth – Sculptor; Sally Young — Assistant Principal, Forest Hills High School
Moderator: Michele Cohen — Director, Public Art for Public Schools & Author, Public Art for Public Schools (Monacelli Press, 2009)
Organizers: School Construction Authority; AIANY Architecture for Education Committee

Perhaps the most pertinent question of the evening came from a sculptor and concerned parent whose middle schooler is competing for a spot in one of the many over-crowded NYC schools. “Why make art when we need more seats?” At a recent discussion about what makes good schools, Michele Cohen, director of Public Art for Public Schools, addressed the question by examining the history of art in the city’s schools, the subject of her recent book Public Art for Public Schools (Monacelli Press, 2009).

Cohen presented some of the city’s early public schools, the neo-gothic fortresses designed by CBJ Snyder. Those schools have stood the test of time, largely because so much effort was put into their construction, she stated. What the impressive façades of those buildings prove is that building schools is about more than using sturdy, cost effective materials. It’s about investing in the schoolhouse as a center of civic pride.

Cohen shared the lectern with Paul Broches, FAIA, LEEP AP, partner at Mitchell/Giurgola Architects, sculptor Ned Smyth, and Sally Young, assistant principal at Forest Hills High School, who focused on a recent addition to the city’s roster of school buildings. At the Mitchell/Giurgola Architects-designed P.S. 156/I.S. 392 in Brownsville, Brooklyn, Ned Smyth, known throughout the U.S. for his site-specific public art installations, was selected to design and install a work in the new school’s staircase. A wall of colored-glass tiles, whose light spills out onto the Sutter Avenue-facing courtyard, rises along a monumental stair linking an auditorium, dance and music studios, and gymnasium.

After Cohen’s historical perspective on which buildings had become icons within NYC’s schools, P.S. 156/I.S. 392 represents a new point of pride. Central to the project is the artist/architect collaboration, but it is also the building’s public face — the inlaid-glass wall is visible from the courtyard and the street. For Smyth, it created a fun, impromptu stage for the kindergarten through eighth-grade students tromping up and down the stairs; Broches’ intent was for the transparent, light-filled space to draw the community into the building. The result of their collaboration was an icon for the neighborhood, and a sense of pride for the students, Broches stated.

Whether it’s a mural or an inspiring entryway, making schools into buildings that the community cares about is worth the effort, Cohen and the panelists all believe. As the School Construction Authority embarks on its biggest building campaign in history, it will be interesting to see how Cohen’s lessons are realized in the next generation of NYC schools.