Through 01.16.10
Lincoln Center: Celebrating 50 Years

Seven themes in connection with Lincoln Center’s history explore origins and urban renewal; architecture; iconic personalities; landmark performances; innovative technologies; media and commerce; and educational initiatives. On view are a collection of 400 historic and contemporary objects including photographs, ephemera, correspondence, costumes, set pieces, props, and video recordings.
The Donald and Mary Oenslager Gallery of the New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
40 Lincoln Center Plaza, NYC

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Through 01.19.10
Detour

On view are the results of a global design competition organized by the Norwegian Public Roads Administration, which challenged designers to propose alternatives to traditional tourist-route architecture. Through images, models, and films, selections are showcased from the more than 200 structures that have been built since the competition’s inception. Highlighted are projects by emerging architectural firms as well as prominent architects such as Peter Zumthor and Snøhetta.

Sheila C. Johnson Design Center at Parsons The New School for Design
66 Fifth Avenue, NYC

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Through 01.25.10
Bauhaus 1919-1933: Workshops for Modernity

This is MoMA’s first major exhibition on the Bauhaus since 1938 and gathers more than 400 works that reflect the broad range of the school’s productions, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater design, painting, and sculpture. While visiting, also check out the exhibition In Situ, which closes 01.18.10.

Museum of Modern Art
11 West 53rd Street, NYC

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Through 01.31.10
Collages: A Series of Works by Charles A. Platt

Artist and architect Charles A. Platt, FAIA, “builds” his collages, which take on a three-dimensional effect. “I take apart clothes and find and re-work used objects — shoes and shirts, phonograph records, summer skirts, measuring tapes and rifle targets, tennis nets, wallets and so forth — and work them into compositions that depend on formal artistic expression and meaning. The nature of the object itself, the material, its color, texture, shape, construction, and the associations it evokes play a central role, as do the possibilities of its history.”

Garrison Art Center
23 Depot Square on Garrison’s Landing, Garrison, NY

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Fischer uses the museum’s galleries to create a series of environments featuring towering aluminum sculptures, objects that appear to melt, and a labyrinth of silk-screened chrome steel boxes.

New Museum
235 Bowery, NYC